Bloodlust
George
never fulfilled his obligation |
George
(with boom) and I discuss the finer points of filmmaking while producer/shooter Susan Fahmy concurs and John Kenning listens on. |
A
bonding moment between me and Johnny who plays Chris, the Lot of this film whose faith is tested by the machinations of a vampire. |
This
is a film about, as the name implies, blood lust. |
I
play Mrs. Harrison, the math teacher who is one of Johnny's (Chris') tests.
Kelly (Katie) arranges for Chris to loose his homework and arrive late
to class. I am unsympathetic and take his grade down a whole step for
the semester. Here are his classmates. The guy with the sunglasses is
Jack Reynard, and he shot a lot of these production stills for me. Thanks,
Jack. |
Chris,
properly humiliated by me for being late and without his homework assignment, goes to his seat. |
And
here is the culprit, right, Katey the vampire, who uses a parasol to get to and from school and insidiously plots Chris' demise. How does she apply her makeup with benefit of reflection? |
I
take down some very important notes on the scene between takes while practicing my teacher demeanor a la the method. Here, John's dad, also John, steps in. |
Though
George (center) is only a freshman at High School of Art in San Francisco,
he is already an experienced filmmaker. His 4 minute short, "Urban
Frankenstein" played in the San Francisco International Film Festival.
And he has earlier works to his credit as well. Of course, he did have
the advantage of growing up in a filmmaker's home. George's father is
Henry S. Rosenthal, producer of films such as "All the Vermeers in
New York," "Mod Fuck Explosion," and many more. |
Andrea
Sonnenberg expertly handles the boom mic while George discusses the next shot with Suzy. |
And
my special thanks to Mr. Corea, whose classroom we used for the shoot and who taught me Mean, Median and Mode. I really felt the part of the math teacher after his expert lesson. |